Sewers: What's Up Down There?
June 9, 2015 – March 12, 2017
BHS is pleased to be opening an exhibition that explores one of Brooklyn's oldest and most extensive infrastructure projects: its sewer system. This exhibition tells the story of the creation of the Brooklyn sewer system through a historical look at four corners of Kings County: Flatlands, Bushwick, Coney Island and Fort Greene. Visitors are invited to look beneath the surface into the problems, challenges, and issues that each of these neighborhoods faced in the creation of the sewer system, and the factors that made an integrated municipal system for sewerage an absolute necessity. The exhibition was curated by a team of teen curators who participated in BHS's free afterschool museum studies program known as Exhibition Laboratory, or Ex Lab.
Downtown Brooklyn Legends Pop-up Gallery
December 9 – December 31, 2016
They say you can’t know where you’re going unless you know where you’ve been. No matter the era, Downtown Brooklyn has always been at the center of Brooklyn’s renaissance, as it evolved from a turn-of-the-century shopping destination to a mecca for hip hop culture, and now, the most famous borough in the world. This Downtown Brooklyn Legends Popup Gallery helps to tell the rich history of the area in a way that speaks to people’s hearts as much as their minds. The hardworking Brooklynites of the past made this borough what it is today, and through the work of these 21 artists, we are telling key stories as Brooklyn speeds into the future. Brought to you by the Downtown Brooklyn Partnership in collaboration with Grumpy Bert Gallery and the Brooklyn Historical Society.
Hidden in Plain Sight: Portraits of Hunger in NYC
5, 2015 - November 13, 2016
Brooklyn-based photojournalist Joey O'Loughlin has spent over two years documenting Food Bank For New York City member agencies, including soup kitchens and food pantries throughout the five boroughs. She has focused her lens on workers, clients, recipients, distribution and meals. O'Loughlin's beautiful and vivid images tell compelling stories about hunger today.
Preserving Historic Brooklyn Heights
23, 2015 - May 29, 2016
On November 23, 1965, the newly established New York City Landmarks Preservation Commission designated Brooklyn Heights as the city’s first historic district. That day of triumph was the culmination of a seven-year battle by Brooklyn Heights residents to save the neighborhood they loved and felt to be under siege. Through objects and archival materials, including hand drawn maps, periodicals, and the National Historic Landmark plaque, Preserving Historic Brooklyn Heights celebrates the 50th anniversary of that historic day.
Photo by Z. Hyman Photography
Personal Correspondents: Photography and Letter Writing in Civil War Brooklyn
April 9, 2015 - June 19, 2016
Between 1861 and 1865, over 30,000 men departed Brooklyn to fight in the American Civil War. They left behind spouses, sweethearts, parents, children, siblings, and friends. Personal Correspondents: Photography and Letter Writing in Civil War Brooklyn examined how these Brooklynites remembered and communicated with each other, and how they chronicled the war on the home front and the battlefield. Featuring evocative letters and photographs from Brooklyn Historical Society's collection, this exhibition brought to life Brooklynites' everyday experiences during one of the nation's most transformative times.
This exhibition was funded, in part, by:
Personal Correspondents was developed in collaboration with Green-Wood as part of a joint programming initiative commemorating the 150th anniversary of the war's end through exhibitions, educational curricula, and public programming.
Changing America: The Emancipation Proclamation, 1863 and the March on Washington, 1963
April 7, 2016 – May 20, 2016
BHS is proud to be one of only 50 venues across the nation to host Changing America: The Emancipation Proclamation, 1863 and the March on Washington, 1963. One hundred years separate the Emancipation Proclamation and the March on Washington, yet they are profoundly linked together in a larger story of liberty and the American experience. Both were the result of people demanding justice. Both grew out of decades of bold actions, resistance, organization, and vision. In both we take inspiration from those who marched toward freedom. Changing America was created to commemorate these two pivotal achievements on their 150th and 50th anniversaries. It explores their historical context, their accomplishments and limitations, and their impact on the generations that followed.
Image Caption: We March, We Demand. Courtesy of Library of Congress.
"Changing America: The Emancipation Proclamation, 1863 and the March on Washington, 1963" is presented by the Smithsonian’s National Museum of African American History and Culture and the National Museum of American History in collaboration with the American Library Association Public Programs Office. The exhibition is made possible by the National Endowment for the Humanities (NEH) and is part of NEH’s Bridging Cultures initiative, “Created Equal: America’s Civil Rights Struggle,” which brings four outstanding films on the civil rights movement to communities across the United States (see http://createdequal.neh.gov). “Created Equal” encourages communities across the country to revisit and reflect on the long history of civil rights in America.
Brooklyn Americans: Hockey's Forgotten Promise
fans are aware that the arrival of the New York Islanders® in Brooklyn was
the second time the borough has been home to a National Hockey League team.
During the 1941/42 season, a team of NHL players wore a red, white and blue
jersey emblazoned with the name the Brooklyn Americans. This exhibition told
the history of the Americans, touching upon prohibition, WWII, and the rough
and tumble time of professional hockey's earliest days. Brooklyn Americans:
Hockey's Forgotten Promise highlighted the origins, the dreams, and the
ultimate misfortune of the Borough of Kings' first NHL team.
Photo by Scott Rudd Photography
NHL and the NHL Shield are registered trademarks of the National Hockey League. NHL and NHL team marks are the property of the NHL and its teams. All Rights Reserved.
This exhibition was funded with generous support from:
Additional funding provided by The Cohen Family, The Ingrassia Family, Jon Ledecky, RXR Realty and Boylan Bottling Co.
BHS programs are made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature; and supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.
Gaining Access: The New York City Disability Rights Movement
1, 2015-October 25, 2015 In celebration of the twenty-fifth anniversary of the passing of the American with Disabilities Act of 1990 (ADA), this exhibition looked at the growth of the Disabilities Rights Movement in New York City. Chronicling stories of civil disobedience and self-advocacy,
Gaining Access charted the history of the modern movement which arose in the early 1960s and illustrated the rise of disability as a demographic and social issue. Accessible transit, building access, curb cuts in sidewalks, and deinstitutionalization of individuals with mental and cognitive disabilities are some of the battlegrounds and hard-won victories described. These were stories of advocates who recognized that they needed to remake the world, so that they might fully participate in it. Their accomplishments included the first legal protections against discrimination, and the creation of the Mayor's Office for People with Disabilities.
The exhibit featured dozens of historic images, rare video footage, and one-of-a-kind original artifacts from the half century history of the movement.
Gaining Access was the first museum exhibition about the Disability Rights Movement in New York City, recounting a history reminiscent of the civil rights struggles waged by other groups of Americans.
The exhibit was curated by historian Warren Shaw, and presented in partnership with the Mayor's Office for People with Disabilities.
For an audio version of the exhibition, click here.
A prime impetus for visual artists has been to
better understand and interpret the world around them. In contemporary
practice, artists observe, collect, explore, interact, depict, and
diagram. Cartographers follow similar impulses in seeking to give
visual form to geography and to physical space. Mapping Brooklyn
juxtaposed the work of contemporary artists working with historic maps,
with examples of maps themselves, suggesting the myriad ways that maps
can represent, on the one hand, such practical matters as way finding,
property ownership, population shifts, and war strategy, and on other,
the terrain of the metaphorical, psychological, and personal. In the
galleries at both venues, historic maps and contemporary works were in
dialogue, suggesting common themesâ€”the desire to explore, chart, and
analyze territoryâ€”and highlighting the innovative ways that
contemporary artists use mapping, cartography, and exploration, to
reveal data, ideas, and emotions.
Left: Map of New York City, Brooklyn,
and Vicinity: Showing Surface & Elevated Railroads in Operation
and Proposed, G.W. & C.B. Colton, circa 1885; Flat
Maps B C-1885.fl; Brooklyn Historical Society. Right:
Gail Biederman, From
a Motorman, 2015
Brooklyn Remembered: The Watercolors of James Ryder Van Brunt
This exhibit presented thirteen watercolors from BHSâ€™s collection by 19th century Brooklyn native James Ryder Van Brunt. Van Brunt was a descendant of Brooklynâ€™s earliest settlers and a gifted amateur painter who devoted decades to recording neat and colorful views of Dutch homesteads and historic landmarks. His images of these picturesque sites, a number of which had already been demolished, reflected the widespread nostalgia for an agrarian past during a period of rapid change as Brooklyn grew from a collection of villages into a city.
Full Steam Ahead: 200 Years of Ferries in Brooklyn
In 1814, Robert Fulton launched the first steam ferry between Brooklyn and Manhattan, transforming the relationship between the two places and ushering in a period of enormous growth in Brooklyn. To commemorate the 200th anniversary of Fulton's ferry, BHS mined its archives to reveal wonderful details of Brooklynâ€™s ferry history. Materials on display included paintings of the Union Ferry Company fleet, colorful tickets and timetables, and business records from the early days of steam ferry travel.
Sweet Industries: Refining What We Know
Sugar has fueled Brooklynâ€™s economic growth for over 150 years. Sweet Industries revealed stories of this delicious commodity and its associated businesses with a focus on two companies: Domino Sugar Corporation and Drakeâ€™s Bakeries. The exhibit shared the experiences of generations of Brooklynites who dedicated their working lives to satisfying Americaâ€™s sweet tooth. Sweet Industries was curated by nine Brooklyn teens who participated in â€œEx Lab,â€ BHSâ€™s annual museum studies afterschool program.
Wonder: First Encounters with Green-Wood
a beginning photography course at City tech, Robin Michalsâ€™ students
visited Green-Wood Cemetery for the first time, and experienced,
interacted, and captured the cemetery through fresh eyes. The images
chronicle the wonder of experiencing Green-Wood Cemetery for the first
time. Whether capturing gravestones and statuary, the natural
environment, or the interplay of graveyard and urban center, these
photographs show students from five different semesters experimenting,
taking risks, and honing their own aesthetic approach.
Before photographing Green-Wood, the students visited Brooklyn Historical Society to examine original documents related to the cemeteryâ€™s history. Directly and indirectly, their work reflects the knowledge they gained from their archival research. Together, the images reveal the many personal, social, and cultural roles that the cemetery has played and continues to play in the lives of Brooklynites.
Photo by John Bhatia
Unlocking Two Revolutionary War Maps: The Ratzer Maps at BHS
On display were two versions of a map created by Lieutenant Bernard Ratzer, an engineer and surveyor in the British Army. He surveyed New York and its environs between 1766 and 1767 and printed the map in 1770. The larger map is a rare, first state (i.e. first edition) of Ratzerâ€™s Plan of the City of New York. It is 1 of only 4 versions of this map known to exist in the world. The second is a portion of that same map that was used by Hugh Earl Percy, General in the British Army, during the Battle of Long Island in August 1776. Both were being shown to celebrate the anniversary of the Battle of Long Island, as well as BHSâ€™s joint acquisition of the â€œLord Percyâ€ map with Green-Wood Cemetery.
We the People: The Citizens of NYCHA in Photos + Words
We the People challenges and confronts misconceptions and stereotypes associated with African-American and Latino residents living in New York City public housing. The project, a collaboration between journalist Rico Washington and photographer Shino Yanagawa, pairs photographs alongside candid interviews with residents. Inspired by the documentarian works of Jacob Riis, Gordon Parks, and Ruiko Yoshida, Washington and Yanagawa conducted interviews in various housing authority complexes across New York Cityâ€™s five boroughs over a period of 18 months. We the People features such notable NYCHA former residents as hip-hop artist/actor Yasiin Bey (formally known as Mos Def), jazz musician/recording artist Olu Dara, filmmaker Dennis Watlington, hop-hop icon Afrika Bambaataa, and many more. The exhibit also includes an essay by Jamel Shabazz, a Brooklyn-born fashion, fine art, and documentary photographer whose work has been exhibited at the Bronx Museum of the Arts, as well as featured in films and album covers.
She said, She said: Art and inspiration in the work of Nell Painter and Lucille Fornasieri Gold
This exhibition juxtaposes two separate but related bodies of artwork - photographs of Brooklyn in the 1970s and 1980s, and the paintings they inspired many decades later. Lucille Fornasieri Gold documented everyday life in her multi-racial, multi-ethnic Brooklyn neighborhood. In 2008, Brooklyn Historical Society acquired her photographs, and two years later, the artist Nell Painter found them. Nell created new images by digitally manipulating fragments of Lucille's photographs and painting them into visual fiction.
Public Perspectives Exhibition Series
The Public Perspectives Exhibition Series provides a creative forum for Brooklynites to have an active voice at the Brooklyn Historical Society (BHS) by presenting community-curated exhibits. Every spring, BHS issues an annual open call for exhibition proposals from Brooklyn-based individuals, school and community groups, and non-profit organizations. Each season three recipient groups are selected by a panel of cultural and community representatives. Public Perspectives enables BHS to encourage community involvement not only in the content of exhibitions, but also in the selection process. The awardees collaborate with BHS staff to develop and mount their exhibitions.
This series is made possible through the generous support of the Lily Auchincloss Foundation and FHL Bank. Additional support is provided by the Kress Foundation and HBO.
Public Perspectives is currently on hold due to a scheduled interior renovation project and to pursue further funding.
October 1, 2009 - January 24, 2010
Brooklyn Utopias?, curated by Katherine Gressel. An invited group of artists respond to the question of Brooklyn's future by presenting their differing visions of an ideal Brooklyn.
February 4 - August 29, 2010
Tivoli: A Place We Call Home, curated by Delphine Fawundu. Multi-media exhibition of photographs, video and words documenting the tenants of Tivoli Towers in the Crown Heights neighborhood at the onset of gentrification, as the building faces the threat of removal of its affordable housing program status.
September 16, 2010 - August 24, 2011
Painting Brooklyn Stories of Immigration and Survival, curated by Nina Talbot. In collaboration with Professor Rachel Bernstein of New York University's Public History program, striking stories of Brooklyn residents are portrayed through paintings, oral histories and personal effects, lending individual insights into broader social aspects of life in Brooklyn.
James and Karla Murray, Counter/Culture â€“ The Disappearing Face of Brooklynâ€™s Storefronts. A vibrant photographic and narrative collection of Brooklynâ€™s rapidly vanishing neighborhood storefronts. September 10 â€“ December 28, 2008.
Rebecca Layton, Sarah Bostwick and Karla Wozniak, Brooklyn Redrawn. Three Brooklyn artists depict the visual and societal complexity of the boroughâ€™s urban built environment. January â€“ April 2009.
Andrew Urban and David Madden, Brooklyn and the History of Chinese Immigration. Investigates how Brooklyn residents responded to Chinese immigration in the 19th century, and the 20th century development of a Chinatown in Sunset Park, Brooklyn. May â€“ August 2009.
Sacred Hearts: A Journey of Italian Catholics in the Borough of Churches. Curator: John L. Heyer II, in cooperation with Sacred Hearts and St. Stephen Parish and the Italian Apostolate of the Diocese of Brooklyn. September 7 â€“ December 30, 2007.
Lost in Transition: South Brooklyn, Williamsburg and Coney Island. Curators: Rebecca Krucoff and the Urban Memory Project. January 11 â€“ April 27, 2008.
Gowanus Transformations. Curators: Christine Mackellar, Margaret Maugenest, and Friends and Residents of the Greater Gowanus (FROGG). May 9 - August 24, 2008.
2006-2007 Inaugural Season
From Synagogue to Church: Converted Brooklyn Houses of Worship. Curators: Ellen Levitt and Howard Dankowitz
A Drum Beats in Brooklyn: A Photography Exhibition Celebrating the Drum-Based and African Influenced Traditions of Brooklyn. Curators: She Shootinâ€™ Photography Collective - Laylah Amatullah Barrayn, Nsenga Knight, Delphine Fawundu-Buford, Kerika Fields, Ava Griffiths
Up From Flames: Mapping the Recovery of Bushwick, 1977-2007. Curators: Adam J. Schwartz, Meryl Meisler, Josh Lapidus, and students from the Academy of Urban Planning.
In connection with the one year anniversary of Superstorm Sandy, this exhibit of photographs taken by professionals and amateurs, on cellphones and slrâ€™s, documents the aftermath of this devastating storm in Brooklyn and gives powerful voice to the impact and continuing recovery.
Exhibit Dates: October 16, 2013 â€“ Spring 2014
Inventing Brooklyn: People, Places, Progress
Brooklyn: People, Places, Progress traces the evolution of
Brooklyn into the place we know today. From Native American roots and
Dutch colonial influences to icons such as the Brooklyn Bridge and the
Dodgers, Inventing Brooklyn examines how various
people, places, and historical events have shaped the development of
the borough. Drawing on archival documents, photographs, prints,
artifacts, and oral histories from the Brooklyn Historical Society
collection, Inventing Brooklyn takes on 400 years
of Brooklynâ€™s history. The exhibit includes items relating to the
Battle of Brooklyn, Brooklyn's first newspapers, and Brooklynâ€™s diverse
immigrant populations in order to capture the complexity and dynamism
of the process of Inventing Brooklyn.
Inventing Brooklyn: People, Places, Progress is created by the high school students in Brooklyn Historical Societyâ€™s Exhibition Laboratory program. Now in its fifth year, Ex Lab invites students from four local high schools to help curate and design a new BHS exhibit. The Ex Lab students work closely with BHS staff, consulting historians, and professional exhibit designers to conduct archival research, choose objects, and write exhibit text in order to bring Inventing Brooklyn to life.
Say Cheese! Portraits to Pics
Say Cheese! Portraits to Pics explores more than 150 years of family portraiture, from the earliest daguerreotypes to digital photography today. Drawing on BHS's rich photography collections, the exhibit examins the ways in which changing technology has impacted the many ways people have documented their everyday moments, family milestones, and special events over time. Say Cheese! Portraits to Pics includes a wide range of photographic styles and mediums: processes such as ambrotypes and tintypes, prints from early twentieth-centry Kodak cameras, and recently-acquired born-digital portraits.
Say Cheese! Portraits to Pics is curated by the high school students in Brooklyn Historical Society's Exhibition Laboratory program. Now in its sixth year, "Ex Lab" brings together students from Cobble Hill School of American Studies, Packer Collegiate Institute, Brooklyn Technical High School, and Saint Ann's School to create a new exhibit at BHS each year. This spring, the Ex Lab team has collaborated with photographers Harvey Stein and Nora Herting, photography scholar Sarah Kate Gillespie, and experts on photographic conservation, exhibit design, and graphic design to complete each stage of the curatorial and exhibition planning process.
To follow the progress of the Ex Lab team as they build the exhibit, follow @brooklyhistory on Twietter and look for posts with hashtag #ExLab. Tweet your pics from the exhibit using #SayCheeseBHS! You can see other visitors' photos from the exhibit online here via Storify.com.
Exhibition Laboratory is made possible through the generous funding of Martha A. and Robert S. Rubin, Con Edison and an anonymous funder. Additional funding is provided by Astoria Federal Savings Bank and the Ferriday Fund. Special thanks to Brooklyn Technical High School, Cobble Hill School of American Studies, The Packer Collegiate Institute and Saint Ann's School.
Exhibit dates: June 6, 2012 â€“ September 27, 2013
Painting Brooklyn: Stories of Immigration &Survival
The exhibition Painting Brooklyn Stories of Immigration and Survival tells the stories of diverse individuals who have immigrated to Brooklyn. The people featured in the exhibition share their personal narratives that highlight the process of creating a new home in a new land and how theyâ€™ve incorporated their cultural traditions into their New York lives. Their stories speak of hope and despair, embrace and discrimination. The exhibition will be open at the Brooklyn Historical Society from Sept. 17, 2010 â€“extended to Aug. 14, 2011.
Curated by Nina Talbot, painter, in collaboration with Rachel Bernstein, public historian at New York University, the exhibit presents striking stories of Brooklyn residents through paintings, oral histories, poetry and personal effects. These different modes of expression offer multiple perspectives on this complex issue.
Visitors to the exhibit meet a range of people, including an Iranian Jew with a jewelry shop in Newkirk Plaza; a Tuskegee Airman originally from the Caribbean whose mother worked as a servant for a family on Rugby Road; a phlebotomist from Dhaka, Bangladesh who lives in Midwood; a writer from Haiti with violent memories of the tonton macoute, now living peacefully in East Flatbush; a musician from Park Slope whose 96 year old mother remembers arriving in New York from Hangzhou, China in 1938; a Pakistani Muslim woman living in West Midwood; and a woman who survived the Mauthausen concentration camp now living in Borough Park.
Artist Nina Talbot painted portraits of the storytellers for the exhibition. The paintings portray life in vivid colors, and trace the international routes of some of the people who now live in Brooklyn. Talbot depicts the Brooklynites as they are today, with the backgrounds and borders of the portraits containing images from the subjectâ€™s past experiences.
Talbot has come to know many people in her own neighborhood in the process of creating these portraits: â€œEach morning I exchange a glance with the grocer, or share a smile with the barber. Their visages hint at their past and their present. These paintings provide a map to what is beyond everyday faces, and tells the stories of what these faces have seen.â€
The exhibition features audio from oral history interviews with individuals in the paintings. Poet Esther Cohen has written poems based on the individual narratives that inspired the paintings. These elements, combined with photos, student interpretations, and objects add depth to the lessons these individual lives can teach about struggle, survival, success and heroism.
In conjunction with the exhibition Professor Bernstein and Nina Talbot will run a family workshop Sunday, November 14th in which participants will conduct focused interviews to elicit stories from each other and create mixed media artwork based on the stories.
Opening Reception: Thursday, September 16. 5:30 - 7:30 pm.
Exhibit dates: Sept. 17, 2010 â€“ extended to Aug. 14, 2011
About the exhibition series: Public Perspectives provides a creative forum for Brooklynites to have an active voice at the Brooklyn Historical Society by presenting community-curated exhibits selected from our open call for exhibition proposals. The awardees collaborate with BHS staff to develop and mount their exhibitions. Public Perspectives is made possible through the generous support of the Lily Auchincloss Foundation and FHL Bank, with additional support provided by the Kress Foundation and HBO.
Home Base: Memories of the Brooklyn Dodgers at Ebbets Field
Home Base: Memories of the Brooklyn Dodgers at Ebbets Field is an exhibition curated by local high school students in BHS' Exhibition Laboratory program. Through archives, photos and oral histories, the exhibition explores the connection between Ebbets Field, the Dodgers and the Brooklyn community. The exhibit features the history of the team and its fans by digging into BHSâ€™ rich Dodgers collection that includes baseball cards, photographs of the field, ticket stubs, uniforms, seats from Ebbets Field, autographed baseballs, scorebooks from the 19th century, team photos and the famous Dodger Banner from their 1955 World Series win. The exhibition will include humorous and emotional stories from fans and employees of Ebbets Field, recorded by students and BHS staff during the semester. Home Base recalls the thrill and excitement of attending games at Ebbets Field at the height of the Dodgers era.
Home Base: Memories of the Brooklyn Dodgers at Ebbets Field is curated by high school students from Brooklyn Technical High School, Cobble Hill School of American Studies, The Packer Collegiate Institute and Saint Annâ€™s School as part of the Brooklyn Historical Society's Exhibition Laboratory (Ex Lab) after-school museum studies program. Ex Lab introduces high school students to the art of exhibition development: conducting research, selecting artifacts, writing text and working with scholars and curators to understand how to communicate ideas through an exhibition.
Exhibition dates: June 3, 2010 - extended to April 1, 2012
Exhibition Laboratory is made possible through the generous funding of Timothy Bradley and Martha A. & Robert S. Rubin. Additional funding is provided by The Pine Tree Foundation of New York, Astoria Federal Savings and the Ferriday Fund Charitable Trust. Special thanks to Brooklyn Technical High School, Cobble Hill School of American Studies, The Packer Collegiate Institute and Saint Annâ€™s School.
It Happened in Brooklyn
It Happened In Brooklyn: Curriculum Materials
BHS offers educators free supplementary curriculum materials related to our It Happened In Brooklyn exhibit.
It Happened in Brooklynhas been made possible by The Peter Jay Sharp Foundation and Astoria Federal Savings. The Brooklyn Historical Society is supported by the New York City Department of Cultural Affairs, Brooklyn Community Foundation and New York State Council on the Arts.
The Ratzer Map
Restored 1770 Ratzer Map On View
February 2 - May 29, 2011
Due to popular demand following the The New York Times' front page article about the Ratzer map that ran on January 17, 2011, the recently restored 1770 map is now on view to the public February 2-May 29, 2011.
The map is available for viewing during the Brooklyn Historical Society's hours as follows: Wednesday-Friday and Sunday, 12pm-5pm and Saturday, 10am-5pm. Museum admission is free for BHS members; $6 for adults; $4 for teachers/students/seniors; children 12 and under are free.
While bringing our collections out of deep storage, we came upon an extremely rare map of New York City made by Bernard Ratzer in the late 1760s â€“ only the fourth known copy of the map in the world. The map was in horrible condition. Varnished more than 200 years ago, it was discolored and brittle, with horizontal cracks every few inches along the entire map. Happily, our professional archive team sprang into action, and got the map to a conservator who first took emergency measures to stabilize it, and after 12 weeks returned the map to a magnificently conserved state (scroll down to see before and after images).
This map may be one of the most important artifacts representing New York on the eve of the American Revolution. We are gratified to fulfill our responsibility as caretakers of such an important document. You can now view this map in BHS' historic tile lobby through May 29, 2011.
In Our Own Words: Portraits of Brooklyn's Vietnam Veterans
With the use of oral histories, portraits, and personal artifacts this audio installation explores the impact of the Vietnam War on the lives of Brooklynâ€™s diverse residents, from the first person perspective. â€œMeetingâ€ eight people who were touched by the Vietnam War, visitors are prompted to consider the on-going impact of the Vietnam War in the lives of Brooklynites, from their memories of the war to how it affects them today. From portrait to portrait, from person to person, from personal narrative to personal narrative, a meta-narrative slowly emerges in which we empathize with the stories of the men and women who confront the chaos of an historical period, and share their, memories, and understanding of the history through which they lived.
Sample audio clips can be heard on the Oral History page.
BHS offers educators free supplementary curriculum materials related to our In Our Own Words: Portraits of Brooklyn Vietnam Veterans exhibit.
Veteran Photography Exhibition Photographers: Bernard Edelman Leroy Henderson Tony Velez
New York Times article 12/15/2007 In Our Own Words is made possible by the Nathan Cummings Foundation, Astoria Federal Savings, HBO and is in partnership with Brooklyn College.
Artist and Artifact: Re|Visioning Brooklyn's Past
November 10 â€“ December 18, 2010
Exhibit Hours: Tue-Sun 12-5 (BHS); Tue-Sat 12-6pm (BRIC)
Brooklyn Historical Society is pleased to announce Artist and Artifact: Re|Visioning Brooklyn's Past. Through this exciting initiative, artists and writers are exploring the Society's collection for inspiration for original art work. These new works will be exhibited along with the utilized pieces from the BHS collection in an upcoming exhibition at BRIC Rotunda Gallery. Catalog for Artist and Artifact: Re|Visioning Brooklyn's Past
Public Programs Opening reception: Wednesday, November 10, 7-9 pm, at BRIC Rotunda Gallery and at Brooklyn Historical Society (128 Pierrepont Street) Performance: Daniel Jose Older, Thu Oct. 28, 5:30-7:30pm (BHS)
Author Readings: Michael Schwartz and Elizabeth Gaffney, Sat Nov. 20, 2:00-4:00pm (BHS)
Artist Panel and Gallery Talk: Nora Herting, Andres Vera Martinez, Meredith Bergmann and Stanley Greenberg, Tue Nov. 30 For more information visit the Artist and Artifact: Re|Visioning Brooklyn's Past project page.
Tivoli: A Place We Call Home
Exhibition Opening: Thursday, Feb. 11, 5:30 - 7:30 pm
Exhibition dates: February 12 - August 29, 2010
Curated by Delphine Fawundu. A multi-media exhibition of photographs, words and video documenting the people of Tivoli Towers, a 35-year-old apartment building in Crown Heights Brooklyn.
Tivoli is located in a neighborhood that once suffered harshly from lack of investment and the crack epidemic. Today, this same neighborhood is rapidly changing due to gentrification. Tivoli Towers is one of the few buildings in the neighborhood that has not been gentrified as yet, due to its status in the city-sponsored Mitchell-Lama affordable housing program. When the landlord recently tried to sell the building and remove it from the Mitchell-Lama Program, the tenants sued â€“ and won. Since several NYC landlords have successfully removed their buildings from this program, this proved to be a landmark decision and important victory in 2005. Click here to see a trailer for the documentary on Tivoli residents featured in the exhibit.
In May 2009, the tenants were informed that their landlord is going to appeal the case. If he wins, Tivoli Towers will no longer provide affordable housing for this diverse community of people. Tivoli: A Place We Call Home will put a face and identity on Tivoliâ€™s tenants at the onset of gentrification in this Brooklyn neighborhood and will help answer questions such as: Who lives there? Where do they come from? What experiences have they had living in this building? How do they use this space that they call home? What are their aspirations for this community that they have created? What contributions do they make to society? How have they been affected by the lack of investment in their building? What does gentrification mean to them?
This project is produced by photographer/filmmaker, Delphine Fawundu Buford, along with filmmakers Scott Brathwaite and Anthony Clouden Jr. These three long-time friends and residents at Tivoli Towers felt the need to collect visual histories of their own community.
Public Perspectives is made possible through the generous support of FHL Bank. Additional support is provided by the Kress Foundation and HBO. This exhibition is part of Black Brooklyn Renaissance: Black Arts + Culture, 1960- 2010, which is sponsored by MetLife Foundation and presented by Brooklyn Arts Council in partnership with Bedford Stuyvesant Restoration Corporation.
Pages of the Past: The Breukelen Adventures of Jasper Danckaerts
Exhibit Dates: June 6, 2009 â€“ May 16, 2010
In 1679 Jasper Danckaerts and his colleague Peter Sluyter came to New York in search of land for a religious colony. For 200 years Danckaertsâ€™ meticulously written and illustrated diaries lay undiscovered until Henry C. Murphy, a founder of the Long Island Historical Society, (later renamed the Brooklyn Historical Society) came upon the diaries in 1864, in an Amsterdam book store. Now an important part of the BHS collection and an invaluable primary resource for scholars, the diaries are featured in an installation at BHS in celebration of the 400 Years of the Dutch in New York. The exhibition Pages of the Past: The Breukelen Adventures of Jasper Danckaertsfeatures these beautiful diaries and accompanying drawings and was curated by 19 high school students participating in the Brooklyn Historical Societyâ€™s educational program known as â€œExhibition Laboratoryâ€. In this program, high school students from four local schools are introduced to the art of exhibition preparation: they conduct research, select artifacts, write text and work with scholars and curators to understand how to communicate ideas through an exhibition. With the guidance of BHS staff and a team of scholars the students curated and designed this exhibition about the Danckaerts Journal.
Learn more about the curating experience by reading the Ex Lab Students' Blog
Exhibition Laboratory is made possible through the generous funding of Timothy Bradley and Martha A. & Robert S. Rubin. Additional funding is provided by Astoria Federal Savings. Special thanks to Brooklyn Technical High School, Cobble Hill School of American Studies, The Packer Collegiate Institute and Saint Annâ€™s School.
From colonial settlement to urban renewal, the US has historically been obsessed with utopian communities.Brooklyn is no exception, with its history as a home for Dutch colonial and myriad immigrant settlers, social reformers like Alfred T. White and influential artists and writers from Walt Whitman to Spike Lee. Brooklyn's recent renaissance exemplifies the increased draw of city life and the attempts to build improved urban communities.
The Brooklyn Utopias? project invited both professional artists and emerging teen artists to identify and respond to the often-conflicting visions of the most livable and sustainable Brooklyn, and/or imagine their own Brooklyn "utopias."Â The resulting work of over 30 artists and Brooklyn teens will now be on display in a series of three Brooklyn Utopias? exhibits: at BHS, Brooklyn's Old Stone House, and the nonprofit youth art center Starting Artists, Inc. in Fall 2009. The participating artists at the Brooklyn Historical Society exhibit bring diverse approaches to the Utopias theme. Artists include Triada Samaras with photos of her â€œDemocracy Wall,â€â€”an interactive mural protesting large-scale development in Carroll Gardens. A second category of artworks include Jess Leveyâ€™s guerrilla photo projections on condos and Tracy Collinsâ€™ photographs of Atlantic Yards construction.
Living and Learning: Chinese Immigration, Restriction & Community in Brooklyn, 1850 to Present
Curated by Andy Urban On view May 8 - October 18, 2009. Learn about the experiences of Chinese immigrants to Brooklyn in the past and present by exploring historical newspaper and periodical articles, cartoons, photographs, and government documents. This exhibit offers insight into the cultural, social, and legal implications of the history of Chinese immigration to Brooklyn, and how many of the issues involved continue to resonate today.
Image: Goon Bow. Statement of Registered Chinese Laborer about to Depart from the United States with the Intention of Returning Thereto, Case File 56; Chinese exclusion acts case files, 1880-1960; Immigration and Naturalization Service, Record Group 85; National Archives and Records Administration â€“ Northeast Region (New York).
Sunset Park Oral History Collection 1993 - 1994 The Brooklyn Historical Society collaborated with the Chinatown History Project - now the Museum of Chinese in America -- in order to conduct a series of oral histories with residents of Sunset Park. Mary Lui, who contributed an essay to this exhibit in her capacity as professor of Asian American History at Yale University, was one of the oral history project's interviewers. The interviews focused on what was then a new presence of Chinese and Asian immigrants concentrated along Eighth Avenue. Among the topics that are explored in the interviews are tensions between different groups of Chinese immigrants, crime and safety in the neighborhood, Sunset Park's relationship to Manhattan's Chinatown, and how long-term residents of Sunset Park had adjusted to the area's "newcomers." These interviews were digitized from cassette by Alexis Taines and Niles French and the complete interviews and transcripts are available through the Othmer Library.
Tony Giordano, b. 1948 in Brooklyn, Interviewed by Greg Ruf 6/29/1993 Billy Wong, b. 1964 in Hong Kong, moved to Brooklyn when 19 years old, Interviewed by Mary Lui 5/26/1993 Edmundo QuiÃ±ones, b. 1945 in Manhattan, Interviewed by Greg Ruf and Fabiana Chiu 6/10/1994 David Chan, b. 1955 in China, grew up in Hong Kong, moved to the U.S. in 1975, Interviewed by Mary Lui 4/17/1993 Yan Chen, b. 1974 in China, moved to U.S. when 8 years old, Interviewed by Mary Lui 4/23/1993 These audio tracks are also available for download through the Brooklyn Historical Society's podcast on iTunes.
PS94 Oral History Collection 2009 Oral histories are unique because they represent memories, anecdotes, and perspectives on events that might otherwise never make it into an archive. As part of this exhibit, fourth and fifth grade students at PS 94 in Sunset Park interviewed faculty members, their families, and neighbors in order to capture their perspectives on the neighborhood's history. Situated in one of New York's most racially and ethnically diverse neighborhoods, these histories of Sunset Park offer important insights into immigration, changes in the population and physical landscape, and the neighborhood's cultural life.
Carolyn Frere has been teaching in Sunset Park for 25 years Interviewed by students at PS94 with Andy Urban 3/13/2009 Enid Ramos has lived in Sunset Park over 40 years Interviewed by students at PS94 with Andy Urban 3/13/2009 Kiara, Marilyn, Wendy, Karen, Aisha, and Chrystin are students at PS 94. They presented their oral history projects on 5/4/2009. Click here to see their photos. These audio tracks are also available for download through the Brooklyn Historical Society's podcast on iTunes. .
Brooklyn Chinese- American Association 2009 On May 5, 2009, Susan Chan, Betty Lee, and Alan So participated in a roundtable interview at the Brooklyn Chinese-American Association in Sunset Park. Sharing their own personal observations on the changes that have affected the Chinese community in Brooklyn since 1950, they offer important insights into issues such as work, social services, generational differences, and prospects for the future.>
Betty Lee (b 1935), Alan So (b 1948), and Susan Chan (b 1940) Members of the Brooklyn Chinese-American Association Interviewed by Andy Urban with Sady Sullivan 5/5/2009
No Jheri Curls & No Drugs: A David Lee Photo Exhibition
Exhibit Dates: June 26 - Sept. 1 2009
David Lee has been shooting stills on 40 Acres & A Mule Filmworks' sets since the beginning. Lee has been able to capture not only historic 40 Acres' scenes, but Brooklyn's vibrancy, and has inspired a flood of aspiring artists, photographers and filmmakers. David Lee's stills of children, brownstone-filled streets, and now blockbuster actors early in their careers serve as some of the most beautiful examples of his brother's genius. Images from "She's Gotta Have It" will be exhibited at the Brooklyn Historical Society from June 26- Sept 1. The Legend of Martense's Lane: Folklore in Dutch Colonial Brooklyn â€œThe Legend of Martenseâ€™s Lane,â€ a folktale that originated in Colonial Dutch Brooklyn, offers a fascinating glimpse into the real and perceived lives of African Americans during the 17th century. This exhibition centers on a series of four commissioned charcoal drawings by William Moore Davis illustrating the folktale. Curated by Sarah Gillespie.
Part of the Public Perspectives Exhibition Series>
Artists & Curators: Sarah Bostwick, Rebecca Layton, and Karla Wozniak
The architectural face of Brooklyn is in constant flux. Older buildings crumble and are torn down as new developments proliferate, sometimes seemingly overnight. Brooklyn artists Sarah Bostwick, Rebecca Layton, and Karla Wozniak all draw upon Brooklyn's past and present urban structures to convey the visual complexity of competing commercial, architectural, and real estate interests in the borough in which they work and live. All three artists have in common an interest in the specific aesthetic details and local vernacular that makes up Brooklyn. They each use drawing as a method for observing, documenting, and interpreting the past, present, and future of the Brooklyn landscape.
Opening Reception: Wednesday, January 7, 5:30 â€“ 7:30 PM
On view: Extended
Public Perspectives has been made possible by a generous grant from the Lily Auchincloss Foundation with additional support from the Independence Community Foundation.
Suspended Over Time: Brooklyn Bridge 125th Anniversary
Exhibition Laboratoryâ€™s Teen-Organized Exhibit Students from Brooklyn Technical High School, Cobble Hill High School of American Studies, The Packer Collegiate Institute and Saint Ann's School learned about the process of curating an exhibit from start to finish. With the help of Brooklyn Historical Society staff, consultants and scholars, students mined the collection for art and artifacts pertaining to the Brooklyn Bridge. Through extensive background research and collaboration the students curated, co-designed and wrote the text for this exhibit, which illuminates the Bridge's history.
Exhibition Laboratory, an after-school program is made possible through the generous funding of Martha A. & Robert S. Rubin, Timothy Bradley and the Peter Jay Sharp Foundation. Additional support provided by Astoria Federal Savings.
Counter/Culture â€“ The Disappearing Face of Brooklynâ€™s Storefronts
<Curators and photographers: James and Karla Murray
Brooklynâ€™s neighborhood storefronts have the cityâ€™s history etched in their facades. Each store is as unique as the customers they serve and are run by owners who share a commitment to provide a special service. Many shops are lifelines for their communities, vital to the residents who depend on them for a multitude of needs. Yet such shops are disappearing on a daily basis as their neighborhoods rapidly change. Photographer-curators James and Karla Murray have scoured Brooklyn to observe â€œmom and popâ€ businesses from humble neighborhood stores tucked away on narrow side streets to well-known institutions on historic avenues. Through panoramic photographs, portraits of individual storefronts, and illuminating interviews with shop owners, this exhibition reveals how neighborhood stores help set the pulse, life, and texture of their communities. Exhibit dates: Extended through March 29, 2009!
Listen to James and Karla Talk About the Exhibit
These audio tracks are available for download through the Brooklyn Historical Society's podcast on iTunes.
View video from the exhibit
Public Perspectives has been made possible by a generous grant from the Lily Auchincloss Foundation with additional support from the Independence Community Foundation.
Business Evolution of a Borough
This installation highlighted archival materials from the collections of Brooklyn Chamber of Commerce and the Brooklyn Historical Society and celebrated the Chamber's 90 years of service to the Borough. On view from September 24 â€“ October 26, 2008
Gowanus Transformations: Celebrating 150 Years of Manufacturing
In the mid 19th century the Gowanus Kil was transformed into a canal, providing easy access to raw materials and encouraging businesses to establish themselves along its banks. These materials became the lifeblood of the area, supporting the development of the surrounding communities. While the nature of business along the canal has evolved, the tradition of manufacturing in the Gowanus continues.
This exhibit focuses on a group of diverse businesses that demonstrate the broad scope of ingenuity and creativity thriving in the Gowanus in the 21st century, including: a potter, a stained glass business, a bicycle manufacturer, a full service special effects company, a cabinet maker, a marble company, a baker, an extrusion die manufacturer, and a clothing designer. The exhibit reveals how the Gowanus continues to provide necessary industrial spaces, and how the featured businesses utilize traditional and contemporary skills to contribute local goods and services.Listen to Gowanus Transformations on WNYC's Leonard Lopate Show! WNYC (FM 93.9 and AM 820) Aired on Thursday, May 29. Guests: Danny Maldari, Maldari & Sons; Jeremy Chernick, J & M Special Effects; and Phaedra Thomas, South Brooklyn Local Development Corporation. This exhibit is part of the ongoing series Public Perspectives and has been made possible by a generous grant from the Lily Auchincloss Foundation with additional support from the Independence Community Foundation.
Reflections on Community Development: Stories from Bedford Stuyvesant Restoration Corporation
Listen to Audio from the exhibit
Sponsored by JP Morgan Chase.
Lost in Transition: South Brooklyn, Williamsburg & Coney Island
Part of the Public Perspectives Exhibition Series Curated by Rebecca Krucoff and Ain Gordon (Urban Memory Project) Opening Reception: Thursday, January 10, 5:30 â€“ 7:30pm Exhibition Dates: January 11 â€“ April 27, 2008 Daily News Article 01.15.08
In Lost in Transition: South Brooklyn, Williamsburg and Coney Island, students of the Urban Memory Project turn their eyes toward the rapidly changing face of their home borough. Using photography as a way to capture and document the Brooklyn they know, the high school students examine what these changes mean and how our view of the past is shaped by what survives. Their photographs feature images of new development projects, as well as existing structures they predict will soon vanish, including abandoned warehouses along the East River and the Gowanus Canal, small bodegas in quickly gentrifying communities like Park Slope, and Coney Islandâ€™s Astroland that is slated for demolition. Accompanying the student photography will be images from the BHS collection by legendary late 19th century photographer Eugene Armbruster that provided inspiration for their project. Armbruster took thousands of photographs of the rural Brooklyn he saw disappearing, becoming a true grass-roots historian documenting the changing landscape of his era.
img style="width: 192px; height: 279px; float: left;" src="../graphics/Lost2.jpg" alt="Lost2">The Public Perspectives Exhibition Series provides a creative forum for Brooklynites to have an active voice at the Brooklyn Historical Society (BHS) by presenting community-curated exhibits. Public Perspectives is made possible by the Lily Auchincloss Foundation and will be on view in the Independence Community Gallery.
Exhibition Walk-Through and Talk with the CuratorsLost in Transition:South Brooklyn, Williamsburg & Coney Island
Public Program: Saturday, February 2 from 2 - 4 pm
As Brooklynâ€™s built environment faces another wave of changes, what would you choose to preserve or document? Meet the curators for an interactive walk-through of the exhibit Lost in Transition, followed by an informal conversation over juice and coffee with Urban Memory Projects participants who will bring a variety of perspectives: student photographers, educators Vincent Falivene and Michael Salak, and photographer and author Vincent Cianni. Free with BHS admission (free admission for students with valid ID)
Mother Goose in an Air-Ship: McLoughlin Bros. 19th Century Childrenâ€™s Books from the Liman Collection
Exhibit Dates: September 2007 to February 2009
This exhibit highlights beautifully-illustrated childrenâ€™s books, printed in Brooklyn by McLoughlin Brothers, a publisher who pioneered new technology and marketing techniques in the mass production of inexpensive childrenâ€™s books. The Liman Book Collection, a recent gift to the Brooklyn Historical Society, is an especially rich resource for exploring the values, character, and world views of nineteenth-century America.
Visitors will see childrenâ€™s classics, such as Alice in Wonderland and adaptations of Robinson Crusoe, educational books, such as The History of the United States in One Syllable, cautionary tales like those in the Little Slovenly Peter Series, ABCs, Mother Goose stories, Christmas Books, books teaching children how to paint or draw, along with games and puzzles. These delightful books will â€œamuse and delightâ€ both children and their parents. In an innovative â€œTurn the Pagesâ€ section of the exhibit, visitors will be able to leaf through facsimiles of select books and also try their hand at drawing and coloring other facsimile images from McLoughlin Brothers â€œhow totâ€ books. The Liman Collection of Nineteenth-Century McLoughlin Brothers Illustrated Childrenâ€™s Books was graciously donated to the Brooklyn Historical Society by Mrs. Ellen Liman.
Mother Goose in an Air-Ship is made possible by The Liman Foundation and Astoria Federal Savings.
Sacred Hearts: A Journey of Italian Catholics in the Borough of Churches
Curated by John L. Heyer II,in cooperation with Sacred Hearts and St. Stephen Parish and the Italian Apostolate of the Diocese of Brooklyn. Opening Reception: Thursday, September 6, 5:30 - 7:30 pm
Sacred Hearts: A Journey of Italian Catholics in the Borough of Brooklyn focuses on the story of the first Italian Catholic parish in Brooklyn, Sacred Hearts of Jesus and Mary, to explore how early Italian immigrants brought their religion to Brooklyn and built a life and community centered around their Catholic faith. Featuring newspaper articles, historic photographs, letters and documents from the Sacred Hearts Parish archives, as well as a revered statue of Madonna Del Laura, the exhibit weaves together the story of the great strength, faith and commitment of Italian American people in downtown Brooklyn over the past 125 years, and shows how this community continues to thrive today. Sacred Hearts is made possible by the Lily Auchincloss Foundation and will be on view in the Independence Community Gallery, through December 30, 2007.Opening the second season of the Public Perspectives Exhibition Series,
Up From Flames: Mapping the Recovery of Bushwick 1977-2007
Curated by Adam J. Schwartz, Meryl Meisler, Josh
Lapidus, Tim Evans and students from the Academy for Urban Planning
On view from May 23 to August 26, 2007
Opening reception Thursday, June 7, 5:30 â€“ 7:30 p.m.
Part of the Public Perspectives Series
Independence Community Gallery at BHS
Today, Bushwick is one of Brooklyn's â€œhottestâ€ neighborhoods, abuzz with construction, renovation, and aspiration. With a burgeoning arts scene and convergence of Latin American people, Bushwick is truly one of Brooklynâ€™s most dynamic communities. Thirty years ago, however, Bushwick was a very different place. In the aftermath of a 1977 blackout in NYC, rife burning and looting took place and finally caught the attention of the city and the country after a period of neglect. It was during those darkest hours that Bushwickâ€™s recovery began, and it continues to this day.
Up From Flames literally maps out this success of urban planning and community strength. The installation brings the mapping process to life through a mix of maps, primary documents - including important articles from the NY Daily News and The New York Times - and interviews with public officials and residents of the area. Most intriguingly, the painting and drawing on photography by renowned NYC artist Meryl Meisler will be displayed. Meislerâ€™s work, which captured the ruins of Bushwick, also hints at the new life that has grown up from flames. This exhibit conveys how far Bushwick has come, and looks to where the neighborhood is headed.Public Perspectives has been made possible by a generous grant from the Lily Auchincloss Foundation .
The Secret Lives of Streets Exhibition Laboratory: Teen Organized Exhibit
Walking in Brooklyn, have you ever wondered how streets such as Pineapple, Cranberry and Orange got their names? Was Jay Street named after Jay-Z? Was the name Vinegar Hill coined because of a distinct odor? Ten teens from local high schools, all with an interest in history and museums, asked these same questions as part of the Exhibition Laboratory. Explore and learn how culture, historic events, and notable Brooklyn residents factored into the naming of the streets that we walk everyday.
"Exhibition Laboratory", a pilot after-school program is made possible through the generous funding of Robert S. Rubin, Timothy Bradley and the Laura Vogler Foundation. Students from Brooklyn Technical High School, Packer Collegiate Institute, and Saint Annâ€™s School learned about the process of curating an exhibit from start to finish. With the help of Brooklyn Historical Society staff, students mined the collection for art and artifacts pertaining to this theme. They conducted extensive background research, wrote the explanatory text which will illuminate this history, and chose specific graphic design elements to complete the look and feel of the exhibit experience. The students wish to celebrate their accomplishment and look forward to greeting you at the opening of the exhibit. The opening will include special guests Leonard Benardo and Jennifer Weiss, authors of the recently published "Brooklyn By Name", an account of how the neighborhoods, streets, parks, bridges and more got their names.
Landmark and Legacy: Brooklyn Heights and the Preservation Movement in America
Exhibit Dates: March 28, 2007 - September 9, 2007Landmark and Legacy: Brooklyn Heights and the Preservation Movement in America highlights the social and political history that led to the designation of Brooklyn Heights as New York City's first historic district. This exhibit looks at the neighborhood over time, from Old Brooklyn Heights through the 1950s and early 60s when the residents of Brooklyn Heights, working with the Brooklyn Heights Association, tirelessly pursued protecting the architecturally distinctive neighborhood from being demolished during the course of new development in New York City. Featured are photographs by Clay Lancaster and hand-colored maps that catalogued the neighborhood's architecture and contributed to preservation efforts. Residents of Brooklyn Heights have loaned items to the exhibit, including artifacts recovered from Cadman Plaza. In addition, 19th to mid-20th century paintings and prints of Brooklyn Heights street scenes from the BHS collection will be on view, some for the first time in years.
Landmark and Legacyis made possible by American Express, Gerry Charitable Trust, and Arnold and Sharon Reichman in memory of Sarah Shore.